The Bluest Attention, Australian, Stereotyping, Stereotype


Excerpt from Book Report:

“White’s canonization is a part of a larger social shift, which saw the development of many kinds of corporations and opinions aimed at producing Australia widely richer plus more autonomous” (During, 1996). Therefore , the changing way that he pictured women in the work might have signaled an awareness of the fact that women’s roles were changing in Aussie society since whole. Therefore , in the Forest of Man, White’s method of Thelma, which, but as they is displaying disgust so that Thelma represents. Interestingly enough, this symbolization goes considerably beyond her gender. “Thelma is the persona who many embodies the values of Australians inside the fifties since White explained them: she is conventional, insipid, dishonest, and single-minded in search of material security” (McKeman, 1989). Therefore , when examining White’s treatment of ladies in his work, it is always crucial to recall the traditional context.

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Eleanor Dark

Probably it should certainly not be unexpected that Eleanor Dark’s treatment of women reaches least superficially more sincere than those of the various other authors, considering the fact that she is a lady. She identifies Marty, certainly one of her characters, who is really a female publisher, as possessing a “quick and volatile” mind and “tirelessly scribbling fingers” (Dark, 1985). This clearly indicates a belief that girls are intelligent and able of art and creative imagination, a suggestion that is lacking in Casey’s portfolio of. However , it will be wrong to suggest that Dark’s female personas are all great or even that they will be all the same in any way. She would not ever proceed so far as to suggest that her female character types are innately superior to the males in her functions or even, actually, to promote a particular type of girl. Furthermore, the lady does not seem to suggest that the man’s globe vision of Australia that is certainly explored in Casey’s work, and assumed, to a lower degree, as a backdrop in White’s job, has been changed into a feminist environment. Instead, she shows women, and their struggles, in an honest fashion that allows you to respond towards the entire personality, not simply a gendered rendition of that persona.

In fact , Dark’s female heroes are noted for their complexity. Moreover, their very own differences will be oftentimes more startling than their commonalities. The women in Prelude to Christopher disclose the complexity of women in Dark’s community. The story appears to focus on Nigel Hendon, a doctor. Yet , the story is definitely not as much about Nigel as it is about the women in Nigel’s life. This individual initially unites Linda Hamlin, “who is definitely eccentric, mystical, beautiful, and intelligent. The lady refuses to respond conventionally, and everybody thinks she’s strange. Even the lady wonders if she is crazy” (Brooks Clarke, 1998). Once Nigel is definitely hospitalized after a car destroy, Linda begins to experience a breakdown. At the same time, Nigel is brought to another essential woman in his life, Kay. “Kay is a young brunette nurse who also falls in love with Nigel when your dog is lying during sex, vulnerable, brave and feverish” (Brooks Clarke, 1998). Instead of sympathizing with Linda, who may be distraught more than Nigel’s incident, Kay starts to actively operate against Hermosa. She suggests to Nigel that Linda is harmful and needs to become hospitalized. Yet , whether this indicates that Kay is simply aiming to win Nigel from Linda or shows that Kay is actually a keen observer with the human state is hard to discern, while Linda truly does commit suicide. Therefore , whilst both ladies have their pros and cons, it is difficult to cast possibly of them as victim or perhaps heroine inside the novel, a complexity that is surprising considering the fact that Kay procedes marry Nigel after Linda’s suicide. Additionally , Nigel’s mother plays a role in the story. She is worried about Nigel’s marriage to Hermosa, not because she seems to have any personal animosity toward Linda, nevertheless because the girl with worried about the implications on this marriage in Nigel’s potential customers for happiness. As a result, the girl comes across while conservative and stifled, although that characterization may ignore the compulsion of motherly safety.


Casey, White, and Dark are considered three main Australian creators, and each happen to be noted for their social discourse as well as all their literary style. As one might expect, the way in which that they represent women within their works not simply reveals their particular personal view of the function of women, although also displays greater social norms and attitudes about women throughout their time. All three of the creators seemed extremely cognizant that women encountered discrimination in Australian society as a whole. However , while Casey simultaneously noted this marginalization and participated in it in the novels, both equally White and Dark were determined for making female heroes more central to their testimonies. White seemed to find the idea of girl sexuality relatively intimidating, which is apparent in the work, but did not stop him via making females major heroes. However , Darker did not relegate women to stereotypes, but wrote about female characters with a wide range of personas and attributes. By reading the performs of all three authors, 1 not only increases a greater understanding of how Australia’s male dominated society afflicted gender roles, but also how it may have influenced individuals of both genders.


Creeks, B. Clarke, J. (1998). Eleanor Darker: a writer’s life. Sydney: McMillan.

Casey, G. (1958). Snowball. Sydney: Angus and Robertson.

Clancy, L. (2004). Culture and customs of Australia. Westpord, CT: Greenwood Publishing


Dark, Electronic. (1985). The tiny company. Birmingham: Virago Press.

During, S. (1996). Patrick White. Melbourne: Oxford Australian Writer’s Series.

Ferguson, a. (1993). Casey, Gavin Stodart (1907-1964). Gathered January of sixteen, 2013 from Australian Book of Biography website:

McKeman, T. (1989). A brand new kind of novel: the work of Patrick Light in a issue of determination: Australian books in the twenty years after the conflict (p. 166-169, 172-188). Sydney: Allen Unwin.

White, S. (1957). The prodigal boy. Australian albhabets, 1(3), 37-40.

Wilson, 3rd there’s r. B. M. (1976). The rhetoric of Patrick White’s “Down on the

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