Upon Friday night, I was talking with my personal roommate about human beings and animals. His thesis was, “Human beings are not logical, they simply follow their more produced instinct “. I decided to incorporate that understanding was a individual construction. Therefore , he thought that knowledge was produced because of curiosity, every other family pets explore new things. This caused me to wonder about logical behavior and logical habits, knowledge to me was derived from a serious and exhaustive process, and because I assumed that individuals generally choose knowledge to make or get, I started to wonder imagine if we do not imagine something could be cognized then why do we even try to develop knowledge?

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It would be irrational. Parallelly, I was producing a critique for my TOK Composition, and the approved title just popped up in my mind, “Without the presumption of the existence of uniformities there can be not any knowledge. ” My initial thought was, we since human beings assumed that people respond in a logical way, and thereby the methodology to create knowledge was created in the Individual Sciences. All of us assumed the presence of uniformities. Alternatively, I could certainly not neglect that knowledge was also the effect of explorations in unchartered areas such as the Artistry as an Area of Knowledge, which knowledge was your result of style, imagination, with regard to curiosity.

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Consequently, this helped me ask, to what extent would knowledge regulators perceive the reality as a uniform? This hard drives my exploration of the approved title since the assumption invisible is that knowledge cannot be made if does not follow patterns and that whenever a knower decides to undertake a question, the knower oneself will imply the existence of a uniformity. For instance, inside the Human Savoir the fact that social relationships were understood to be uniform, this opened the area for more deeply explorations, although I would problem to what magnitude are human being interactions consistent?

In fact , once I had a conversation using a Chilean friend about how the Westernization of Latin American societies have impacted our understanding and pride lead from our ethnic identities, for example , the failed attempt to recognize the Local law in Guatemala with regards to public punishments was because of the State which will did not consider the legal pluralism as being a recognition with the multiculturality that is expressed in the Constitution in support of considered just how Western communities understand the legal procedure. This prompted myself to think that cultural relativism is an important element to produce expertise when we have a diversity of knowledge claims every case has to be studied separately.

In fact , Anthropology considers the understanding of practices, and actions from the ethnical background to avoid the problem of the fallacy of generalization. This kind of suggests that social interactions are certainly not uniform generally, but depend on multiple neighborhood factors just like climate, local knowledge, and culture. Even though, cultural relativism would fail to conclude familiarity with social communications in a natural state devoid of excluding a few of the knowledge investigated, and will want to focus on a person basis due to the methodology.

After that, how do we discover a conclusion that can comprehend a comparative analysis to understand the introduction of all man societies? On the other hand, I can refer to how Westernization somehow began with Maximum Weber wonderful “rationalization” with the West, whereby he did not only sort social activities into four major types but as well established the Ideal Type approach that would feature social corporations and manners as “logically consistent. ” The fact that he set up a methodology, by simply assuming rational consistency in social considerations, opened a chance to cognize what seemed to be a great amorphous strategy in all societies: human interactions. Hence, with all the assumption in the existence of uniformities understanding in Economics, and Sociology was created.

Thereby, uniformities are used in order to can be categorized or quantified an equivalent dimension. Therefore , the assumption in the existence of uniformities through the categorization from the elements researched may lead to the availability of knowledge. In such a case, without the categorization of the different factors considered, or perhaps the homogenization in the different know-how acquired, presently there would not be a conclusion where when it is deconstructed, it could indicate all of the preliminary knowledge promises. However , there is a conflict showing how do we identify the quality of a order, regularity and when can we need a paradigm shift?

Hence, the difference inside the methodology of numerous disciplines inside the Human Savoir creates a discord on the lifestyle of uniformities. Once cleared up that the assumption of the existence of uniformities depends on the method used, imagine if the construction of knowledge is through imagination, is it also molded by uniformities? For instance, in Arts the topic of “How do we decide something as art? ” popped up in every TOK class about arts, in fact it is because fine art can be as strenuous as much as expressive and hard-to-find.

Therefore , for the study of fine art, there are multiple schools of thought that uses concepts or vocabulary in different varieties. For example , the formalist theory states that true artwork is a globe on its own, with no responsibility to repeat from the lifestyle, by which celebrate its own fact. However , this theory likewise classifies what is aesthetic with the art piece, whereby the proper execution and style are analyzed and compared. For example , Figure you is a wall painting from the artist Carlos Mérida.

I used to analyze his work in my former school, and what I learned about this work called, “Estilización de razones Mayas”, was that this color represented the transition and exploration of a fresh technique in the Constructivism with abstract geometric constructions since seen in the figure. Hence, it can be said that without the presence of a group of techniques or perhaps uniformities the creation of the artwork will not have taken place. But Constructivism was not solely based on the visual representations, otherwise, it will be similar to the Cubism and Futurism where it absolutely was rooted in 1913, however it was worried in the structure of art as a mark of a new world, built and shaped by people and its relation to modern day machines.

This iconographic analysis had a closer link to the instrumentalist function that Mérida was not concerned, but rather a far more emotionalist point of view. In effect, Carlos Mérida used claim that in every single artwork of his, it may be found a source, remote associations or perhaps musical feelings that come coming from far away, meaning that the creation of his artworks had not been alienated for the existence of prescribed uniformities, and even in his early life Mérida, and also a Mexican muralist, they began a new artsy movement known as the Mexican Renaissance, and indeed he designed to create his own group of techniques, and subconsciously using the a paradigm shift by his epoch.

The creation of new uniformities did not result from the inability in the prior uniformities, but rather because of his emotions towards the native culture, the memory by his travels around European countries in his youngsters; thereby the creation on this new group of techniques originated in the imagination and creativeness that the two artists chose to have. This type of iconographic examination is what the emotionalist theory claims because an artistic and critical theory primarily concerned with the expressive characteristics of the artwork.

From this perspective, the production of “Estilización de motivos Mayas” derived from the representation of various faces, a few only with eyes and also other with miserable faces, together with the extensive use of abstract figures that depicted the selection, the suffering and the colorfulness of the Mayan cultures that at his time could still live undermined by the Guatemalan society’s prejudices, and the History of slavery after the colonization of America. In this feeling, the production expertise is derived from the author’s thoughts, memory and imagination although creating his own truth, and the depiction of this kind of reality is presented through the use and change of a few preexistent uniformities.

Moreover, the artist understands that how they grasp their technique would simply depict the aesthetic since the method of comparability, but the understanding produced will be what the musician conceived, as well as the individuality and creativity would depend on how looks and knowledge are taken care of. On the other hand, the artist is usually influenced simply by new movements, such as Carlos Mérida, as well as the creation expertise might be influenced from these kinds of ways of thinking or belief of the world, but nevertheless, the style of the creator would condition the use of the approved cannons. Throughout this essay, it has not been asked the existence of uniformities but rather the relevance in the production of knowledge.

The reason is , the presumption of uniformities is like the border that divides the production of knowledge while independent or perhaps as a centered of homogeneous conceptions; even though, sometimes know-how is an oscillation back-forth. Moreover, know-how authorities will want to focus on how to effectively communicate shared understanding, they would favor methodologies that might be conceived in a similar way, rather than abstract concepts that would lead to conflict; however , addititionally there is the case that broadens concepts would prevent generalities and would protect the extensiveness of knowledge.

Nevertheless , I would regularly be cautious understand that uniformities are not the cause but rather the justification to get the indifference of knowledge, and eases the cognition than it. The major inference of uniformities is that they will be forever, and paradigm changes show that knowledge is independent of uniformities as it creates its very own uniformity as Shakespeare would, when the sont sur le marche language was not expressive enough to convey his knowledge, in that case he altered and produced the existing language of his period.

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