In the film Looking for Alibrandi, director Kate Woods uses many techniques to help you be familiar with main figure, Josie. A few of these techniques are internal discussion and voice-over narration, day-dream sequences and colour improvement. All these tactics help viewers to have a better understanding of Josie’s character. The first technique that Timber uses that is certainly very effective shows up in an crucial part of the motion picture. Internal dialogue is used to ensure that we can notice how Josie is feeling about the things the girl with going through.

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An example of this is certainly in the opening scene if it is the German community’s “Tomato Day and Italians celebration to peel off and stew tomatoes pertaining to tomato marinade. From voice-over narration we could hear Josie’s internal dialogue and understand that Josie won’t identify with this kind of old-fashioned celebration at all. We hear just what Josie feels of it: “You might think this is almost all quirky and cute, yet I believe it is really uncomfortable.

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You would probably think we were still in Sicilly, nonetheless they left right now there 50 years ago¦ I’ve reached get out of right here!

So therefore voice-over narration is a clever technique for helping audiences understand that Josie does not understand her Italian-Australian heritage and also the traditions they will follow, which is particularly useful in the starting scene because it explains what may rest at the heart of Josie’s challenges and issues to follow. The second technique used by the director to assist us figure out more regarding Josie is a day-dream sequence. Whenever Woods want the viewer to comprehend that Josie is having a day-dream the film is slow motion and sepia shades.

An example of this is when Josie has a crush upon John Barton, who is from a private boy’s school. The girl imagines their self standing next to John who will be now the Premier of Australia which she is Mrs Alibrandi-Barton. Cams are nipping, tickertape can be flying and reporters are wanting to speak to her. Another sort of a day-dream sequence can be when Josie is observing Carly, a really rich and spoiled little girl of a hurtful talk-back host, getting out of the automobile on the initial day of faculty.

We can tell its day-dream because suddenly Carly is walking extremely slowly and waving like a movie star. This kind of scene displays us that Josie is very jealous of Carly since she is gorgeous, rich and her family is friends with John’s. Therefore, Woods offers helped viewers to understand that Josie includes a strong imagination and how Josie feels about John Barton and Carly. Finally, Woods uses colour improvement to help all of us understand more about Josie.

This is when the director uses strong Choco tonesto show us that Josie thinks what is happening is old-fashioned. At the beginning of the starting scene audiences are presented with a panning shot of Josie’s Italian family busily making tomato sauce. We are given the impression that this is set some time in the past. The moment Josie begins talking along with changes to total colour. Out of this technique we all learn that Josie doesn’t regard ‘Tomato Day’ as part of her world, or the regarding modern Sydney.

So therefore Woods’ use of strong sepia tonings right at quick the starting scene helped us understand that Josie was straining against expressions of her Italian-Australian heritage. In the closing scene it is “Tomato Day once again but the event is filmed in full-colour with Josie taking part in the stirring and dancing with Nona. Instead of escaping to the beach, the lady invites her friends in. This helps all of us understand that right at the end of the video, Josie is definitely comfortable with her Italian-Australia historical past and has therefore defeat some significant personal issues about her identity.

To summarize, in the motion picture Looking for Alibrandi, director Kate Woods was able to help visitors understand key character Josie’s opinions and conflicts throughout the verbal methods of interior dialogue and voice-over liaison, and visible techniques of day-dream sequences and good sepia shades. The conversation allowed all of us to understand what Josie was thinking and it allows you to get into the frame of mind in the leading personality of the movie. Day-dream sequences were important because that they disclosed Josie’s fears and hopes for the near future while strong sepia colour helped us to know that Josie thought that her family was old-fashioned.

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