Certainly not my business and district 6 in
The poem ‘Not My Business’ is written by a Nigerian poet Niyi Osundare. This kind of poem is actually a dramatic monologue and runs on the fictional narrator to echo upon how the Nigerian contemporary society is affected by the personal and armed service misuse of power and authority in addition to the people’s denial to revolt against injustice. The poet person uses the narrator’s ignorant and self-centered personality to show off the misuse of power not only in Nigeria but also around the globe.
The title ‘Not My personal Business’ can be short and to communicate the idea that South Africa’s socio-political status has not changed since the end of racisme.
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The sculpt is very direct and reveals the narrator to be unaware and selfish. In addition to this, the structure with the poem emphasises his distance with the people; the lines in which the narrator talks about him self are stored separate by poet to stress his feeling of superiority over others. Yet , the narrator suffers a similar fate at the end of the composition.
The initial stanza consists of Akanni getting kidnapped. ‘They picked up Akanni one morning’. The poet person uses the kidnapping to emphasise how the government’s attitude towards public is similar to. The use of ‘they’ is a clear indication of the military to the audience yet is retained vague to interact the reader’s mind to the poem. Furthermore the poet person uses ‘stuffed him throughout the belly’ to help make the reader truly feel as though the federal government are like potential predators waiting to leap at anyone who opposes them.
Osundare also uses this stanza to elaborate on the soldiers’ relentlessness towards people, ‘beat him very soft like clay. ‘ This individual uses this kind of line to show the cruelty and injustice laid upon the people, as a result of abuse of power and violence accustomed to discourage individuals who resist all of them. The word ‘clay’ helps to identify the methods of torture accustomed to punish tries at what the government telephone calls transgression.
The poet procedes show the ignorance of some of the people, ‘What business of acquire is it too long they no longer take the sweet potato from my personal savouring oral cavity. ‘ The narrator’s selfishness is demonstrated by the reference to ‘yam’ which in turn represents his food, secure home and self-occupied life-style, despite talking about what happened to Akanni. Also, the poet person uses the narrator’s eccentric personality to talk to people who also share the same attitude. In addition , the word ‘savouring’ helps to illustrate the greediness and materialism of the narrator in the reader’s mind.
The other stanza commences by showing the mysteriousness of the military, ‘They came up one night’. This implies the fact that army can come at anytime as well as the people are never safe. The narrator further goes on to demonstrate brutality in the military, ‘booted the whole house awake’, which implies that the military services has injected fear in the minds of people. An abrupt sense is formed with the use of ‘booted’ setting up a sudden belief of fear.
Furthermore vague terminology is utilized by the narrator to describe what happened to Danladi. ‘Then off to a lengthy absence. ‘ This emphasises the narrator’s desire to distance himself via reality. The poet uses the term ‘lengthy absence’ to show the narrator’s unwillingness to accept that a menace is eminent from the government. Therefore the narrator regardless, lives with the atrocities that surround his contemporary society.
In the third stanza Chinwe is terminated from her job. ‘Her job was gone. ‘ The poet person once again displays the government may strike at any time any day. Osundare uses the repetition of ‘no’ to emphasise that Chinwe was sacked without reputable reason. This individual does this additional with ‘a stainless record’. This reveals the affect and injustice of the govt in the culture as well because of the incident happening in spite of Chinwe’s innocence. The refrain is used to make the reader feel that the narrator does not have any sorrow or remorse for not patient about the other people about him.
The final stanza requires the narrator himself becoming taken away, ‘And then one nighttime as I seated down to eat my yam a knock on the door froze my personal hungry hand. ‘ The narrator’s strengthen is scared and surprised. His ‘hungry hand’ shows his selfishness and greed. The poet person uses dingdong to put emphasis on this.
Furthermore, the repetition of ‘waiting’ creates pressure in the reader’s mind and stresses the helplessness from the narrator the moment his own words return to haunt him. It also coincides with the second stanza the place that the jeep is likewise ‘waiting’ pertaining to danladi. Last but not least, the composition of the stanza shows however, what is strange of the narrator’s situation, that he likewise suffers precisely the same fate as his others who live nearby.
The composition District 6 is written after racisme by Tatamkhulu Afrika who will be a white South Africa poet and is also a dramatic monologue. Afrika amplifies his anger with the situation of South Africa with a black Southern African narrator to show that discrimination continues to be widely energetic. The narrator feels the post-apartheid period should have recently been different. Through the poem the poet sounds his dissatisfaction with the racism and elegance. The poet’s attitude contains anger and frustration which can be reflected and emphasised at the end of the poem where the narrator want to resort to violence.
District six is shown to now be a run-down levelled place, ‘Small round hard stones’. This quote displays to a certain extent just how District 6th has not changed since the apartheid govt destroyed the region. In addition , the poet uses the consonance in ‘small round hard’ to reflect the hostile and upsetting environment. Furthermore, he utilizes a bitter develop, ‘seeding grasses thrust bewhiskered seeds’. This is shown by simply ‘thrust’ which will carries a great aggressive attitude making the statement exacerbated. This is emphasised by the constant repetition of ‘sss’ noises used in this stanza.
The narrator is constantly on the stress District 6’s destruction, ‘trodden on, crunch in tall, purple-flowering amiable weeds’. He repeats the same thought twice applying ‘trodden on’ and ‘crunch’ for emphasis showing the unchanged circumstance of section 6.
The poet additional uses the narrator showing a sense of belonging to District 6 in the second stanza, ‘my feet¦my hands¦my lungs¦my sight. ‘ Over the stanza the narrator emphasises his acknowledgement and control of Region 6 like he spent my youth there. His defiant sculpt suggests that he can demanding back what is his and continue to be do this while using repetition of ‘my’. Towards the end of the stanza anger can be shown which usually shows his connection with Section 6.
The poet goes on to emphasise his anger with the contrast between races. ‘Brash with cup, name flaring like a banner, it squats’. He uses an intense tone to show off his rage at the presence of a framework with thrives on racism. The rhyming ‘ss’ sounds at the end of ‘brash’ and ‘glass’ help to fuel the result of anger in the reader’s mind. Likewise, the narrator shows just how active and unopposed racism thrives through, ‘name flaring like a flag’. This shows the freedom of racism specifically because the resort is located in District 6 due to its significance in South Africa history. Furthermore, a mocking tone is employed for emphasis with ‘it squats’, suggesting the white are occupying the resort illegally.
Tatamkhulu relates to the title in the 4th stanza, ‘No sign says it is, yet we know where we fit in. ‘ The narrator delivers a mocking tone which will echoes the idea and basic of the poem, coming from the subject ‘Nothing’s Changed’, that the circumstance of District 6 has been constant because of whites nonetheless occupying it since racediskrimination. The stanza is used to remind the reader of the reason for the devastation of District 6 which in turn happened because of racism and discrimination.
Furthermore, the poet person uses the narrator to how his exclusion and separation in the white culture, ‘I press my nasal area to the crystal clear panes. ‘ This displays the narrator’s curiosity, nevertheless also implies the existence of a hidden barrier, ‘clear panes’, among him and the whites.
Additionally , the narrator anticipates and emphasises the lavish way of living, ‘know before, I see them, there will be crushed ice white a glass, linen declines, the single flower. ‘ The poet creates an atmosphere of high-class and beauty in the reader’s imagination. The usage of ‘single rose’ at the end with the stanza suggests an upper-class influence. You is made to truly feel anger and disposition to antagonism on the unfairness and discrimination described from the white colored society.
Another stanza leans towards the inequality still overshadowing the non-white society, ‘working man coffeehouse sells rabbit shows, take it with you, consume it in a plastic-type material table’s top rated. ‘ The blacks will be shown to be a lower class which will contrasts for the upper-class whites in the previous stanza, despite the end of apartheid. The narrator also uses ‘plastic top’ to show the and neediness between blacks and white wines.
The last stanza reverts for the main picture of the composition, ‘boy again¦hands burn, for any stone, a bomb to shiver down the glass’. The utilization of ‘boy again’ suggests that practically nothing has changed because the narrator was a boy plus the word ‘shiver’ reflects the frustration in the narrator’s head. Furthermore, the application of ‘stone¦bomb’ will help the reader to know the feasible causes of assault throughout South Africa to be just like calls of anger against racism.
To conclude, the composition ‘Not My personal Business’ was written because the Nigerian open public has no inspiration to rebel and battle against injustice or cruelty enforced by government. The narrator is definitely shown for example of what to you suppose will happen to the people if perhaps they usually repel the injustice placed upon others and that they will eventually succumb to the same fate if that they continue to be uninformed.
In the second poem, ‘Nothing’s Changed’ summarises that S. africa has not but managed to get over its issues of racism, injustice and inequality inspite of being in the post-apartheid period. The poem acts as a request to all Southern region Africans to come together and unite to make a civilised society with the same rights.
For me, both poetry share the concept the people ought to unite and act against injustice and oppression, nevertheless in different techniques; the meaning is common: Unity will bring peace and harmony numerous people.